Showing posts with label Spring. Show all posts
Showing posts with label Spring. Show all posts

Monday 21 May 2012

Moments of Transition (Year)

February

Today's the first, and this morning I was woken by a nightmare in which Joseph Goebbels was a teacher at my school. It was terrifying. He kept putting me in detention because I have brown hair and brown eyes and chose to learn French instead of Spanish. I can't remember what happened in those detentions, but it wasn't nice. None of the other teachers changed their behaviour, but they treated the methods of Mr. Goebbels as perfectly normal. And there were horrible rumours going around about Mr. Goebbels too, but you could never be sure if they were true or not, because everyone was afraid. When I woke up this morning I was terrified that I'd go into school thinking everything was normal until I had Mr. Goebbels first thing, so I said to myself 'OK Eleanor, let's sort out if Goebbels actually teaches you or not.' I promptly fell asleep and was woken again by my mother.

What does it mean when you dream of a Nazi?

********

September

I'm about to open an envelope. This envelope contains my Junior Certificate results. Everyone else has crowded around each other outside, it's a lovely day, but I ran off behind a wall. This is private, it's mine. For now, at least.

I try to take care as much as I can with the seal. I thought it would be an A4 sheet, not something this small. But where did I get that idea?

And the very first result listed -

English. D.

Ah, shit.

I knew on the day that I wasn't going to get a great result. I completely lost my head, but it's a matter of pride still. It's the first D I've ever gotten for English, because even with poetry, which I'm shit at, I can usually articulate something. I've still passed, but...

I've never really liked 'school English', whatever that is, but I only realised then how much I had let it become a label. Eleanor's Good At English. Which means she's one of the Creative Ones, which must mean she's bad at Maths, because that's how it works, isn't it? If you're creative and good at art/writing, it means you have to be bad at maths or business or science. But I'm not good at English in school. The only thing I can really do is the drama bit, because that's the bit that makes the most sense to me. But that doesn't mean I'm hopeless. Most of the content on my CV is stuff I've written.

Just because I didn't get the mark I had hoped for, but the mark I knew I would get when I finished Paper One, doesn't mean I'm suddenly incompetent. I'm still good at this. I am a semi-competent writer! I got that award, didn't I? That was just one day. Jesus Eleanor, calm down. You've still got ten other results! You haven't looked at them yet!

I scan down the page. There aren't any other Ds. I've got two As, three Cs, and the rest are Bs, including French and History, which I was really worried about. Excellent! Time to join the others and squeal a bit. Lovely.

Although it would be cool to get a C or something for the Leaving. Just to satisfy my own useless pride. And for the points, of course.

********

October

God, I'd forgotten how much swearing was in this play.

My Adult For The Evening, my cousin Eimear, is fidgeting in her seat beside me. She's twenty four, a primary school teacher, and she's my Cool Older Cousin, so I thought she'd be best to bring along to this night-time event in a pub.

But then I remember how I've always been her Baby Cousin Eleanor. And that I'm still only fifteen. And these people in the room, a lot of whom I seem to know quite well, are all older than me, and drinking, and some of them are shifting the face of each other on the projector. And my mother and her mother are waiting for us back home, and they'll want to know everything. And the dancing girl sitting with her friends at the front, the drunk one in the play, is getting a bit louder and a bit louder all the time. And apparently she's my friend.

And I come to appreciate a little bit more how trusting my mother and father must be.

Seems I'd also forgotten how much sex is discussed, and all that business with the condoms and everything.

The drive home is going to be very awkward.

********

March

I have known John Kennedy for one year and two months.

It is a very strange moment when, at Fishamble's Young People's Tiny Plays For Ireland reading, I am introduced to him for the first time. We're both from Kilkenny!

'Actually we do sort of know each other already...'

'Oh really? How?'

And, for some reason, we're standing there nodding and grinning inanely at each other. And I don't know why I'm not saying anything like 'Well, John here wrote a play called Shifting for the Devious Theatre Company back in Kilkenny, and it was completely sold out over it's six night run and received rave reviews, because it really was a brilliant play you know, and it was directed by that man over there in the blue hoodie, John Morton, beside the lady with the long brown wavy hair, no, below that row, and I was assistant director. And that's how we know each other.' That covers it. But we're not saying anything. It's very strange. Why aren't we telling him?

But eventually we say, at the same time, 'We worked on a play together...' Which is also the truth. And it'll do for today, because, and it seems strange, but we don't need Shifting today.

And the well-meaning person who introduced us but whose identity I have forgotten says 'Oh!' and escapes, leaving us to stand nodding and grinning inanely at each other.

********

December

It's the last day of school before the Christmas holidays. Everyone's exchanging cards, and all of a sudden she hands me a wrapped present.

I don't have anything to give her. Just a Christmas card with some song lyrics paraphrased inside, and what good is that if I've done it wrong and she can't understand it? And then she goes and gives me beautiful chocolates.

And they're Lindt chocolates. Everyone loves Lindt chocolates. I'm not the only one who's received them of course, but I can't remember the last time I got a Christmas present from someone that wasn't a relative.

A friend?

********

March

Today is World Book Day, and so a group of us have been entertaining some children in one of the local bookshops. We've dressed up as characters from Where's Wally for the occasion, and it's been loads of fun. Now we're walking down town to get lunch in our madcap gear. (Our madcap gear consists of red/white striped tops, blue jeans, hearts on our faces, and assorted accessories.)

I'm in a group of five and I'm doing my usual conversation thing where I stay on the edge and dodge the kerb and stone benches and listen to the others talk, and one of the girls is fiddling with her super-cute pigtails self-consciously. This girl is one of the kindest, most sincere girls I know, and I don't like seeing her uncomfortable with herself. So I try to tell her to relax.

In my classic, Eleanor Roscuro empathetic fashion.

It doesn't really work, because I haven't mastered empathy and all that stuff, so it's just me telling her that she's fine and she doesn't have to care about what other people think, all that easier said than done stuff, until eventually, a little voice in my head says 'You know what you should try? Paraphrasing that Henry Ford quote that Bill Cullen likes. That'll work!'

'If you think you're ugly or not ugly, you're right.'

'Really? You think that?'

And, oblivious to her body language or the tone in her voice, I do what I always do: concentrate on the words and plough right through.

'Yeah. I do think that.'

Suddenly, we all draw to a stop. There are boys ahead. They've just come out of the nearest boy's school. We go to a girl's school, so we don't know them... We take a breath, brace ourselves, and then carry on, our eyes raking each uniform for a familiar face. There's got to be about fifty, and I don't know any of them. Dammit.

She starts fiddling with her pigtails again, worse than ever, and I tell her to leave it, but she doesn't, and we've stopped talking. This is ridiculous! It's not the Charge of the Light Brigade for God's sake! Yet their attitude is infectious, and I can't help but expect... something.

Eventually our paths meet.

This is what I was wearing that day -


Note - awesome mask. Happy (unaware of camera) face.


I love this mask, and I'm enjoying walking around the street in it. Until it was assumed by a subset of the boys in uniform that since I am wearing a mask, I must be extremely unattractive. Hideous, even.

It could have been so much worse. I know that. But I wasn't expecting it all the same. And it doesn't make me feel good.  I don't know if I was supposed to hear, but it was quite loud, and it doesn't make me feel good. But when I'm older, maybe this will be a part of life. I don't want it to be, but that's not up to me, is it?

And she's still worrying about her pigtails, and she was passed by unscathed, and the one who didn't care was marked down, how's that for irony? And the moment to say something back has passed. And then it dawns on me that I may have called her ugly, in a backwards way. And I feel awful, because I've hurt the feelings of the nicest girl in the year. And I feel awful, because some strangers have hurt my feelings.

And when I tell them half an hour later what they said, when I get sick of the bloody pigtails, no one says anything. We change the subject. When we're older, in college maybe, and it gets worse, we probably won't know how to handle it.

********

February

I'm on a night out!

Well, technically. It could be said. I'm in Kilkenny, at night, and I'm with adults, but nice ones who invited me here, and there is alcohol present, but not in my hand or my gut.

Yeah, I'm on a night out.

I'm upstairs in the Watergate Theatre, at the launch of the new Devious Theatre production. They're going to remake Night of the Living Dead in July. I'd been aware of it since work experience in November, but it only registered tonight. The night is starting to draw to a close. I'm standing beside my older-super-cool friend Alex at the bar. John's leaning over the other side to us, like we're smugglers in one of those taverns three hundred years ago where you'd be sure to find all the criminals singing drinking songs, plotting, and drinking. But instead of planning our next robbery, John is telling us about getting into drama courses, something that seems just as foolhardy and dangerous. Well, it's all for Alex's benefit, she's the one applying this year. I just arrived in the middle of the conversation and quietly slotted myself in. We're both nodding solemnly as John gestures and points his fingers on the bar for emphasis.

The Mid-Term Ball is on Monday. I've no real interest in going - I've had my fill of monster discos since the Junior Cert Results. I've having a great night here. Everyone is so nice. I know most of them already, which is good, and I've even mentioned Gormenghast, and people have listened! And my pretty dress has been admired. That's always good. And there's buns and cake, and they have nice orange juice. And I was invited  and everything!

Apparently they don't look at your Leaving Cert marks in the colleges, not really. Just at what you show them at auditions. Wow.

There's a little voice in the back of my head saying 'It'd be nice to get the points anyway...' and I have a small memory of staring at a page behind a wall. Oh, the Junior Cert English thing. I'd kind of forgotten about that. It isn't such a stab to my pride as it felt like at the time. Hmm. That's good.


********

January

Today is a great day.

I'm in McDonalds on Grafton Street, finishing up my meal with my friends. We've come up to Dublin with the rest of the year to Trinity College. My older-super-cool friend Helena is studying Business and French there, and she was able to point me in the direction of the Drama and Theatre Studies talk that had started as we got off the bus, so after sneaking away from the group (!!!), I made it for the last five minutes. Then I met another older-super-cool friend Ruth who was at the talk and we had a lovely chat. Then I was able to discreetly insert myself into the group, go around the different stands, and then we went for lunch. Now we've got back onto Grafton Street and I'm turning right to go back to Trinity, but the others go left.

'Hey, where are you going?'

'Shopping. We've seen everything there.'

'Oh, okay. I'm going back to Trinity, I'll meet you later so - '

I wasn't expecting them to look that horrified or gasp that loudly. Or to chorus:

'You can't go back there on your own!'

I start to feel a little irritated. Up until last September all I did at school was go around on my own! I'm not desperate for human contact, but I really like their company, and I'm fine going around Trinity on my own. It's fun, and I'm meeting so many people I know, and I could look at the things I find interesting while they do their shopping. It's just thirty seconds up the street. I don't see what's wrong.

'No, really, I'm fine - '

'No, you can't go back there on your own... You can come with us if you like!'

'But... I don't know when I'll get there again, and I've been to Grafton Street before, and I'll be seeing it again at some stage. It's just up the street... I can look after myself!'

I know I shouldn't have said that as soon as it's out of my mouth. I've done it again. I don't know whether to turn and leave, or listen to what they've got to say next. Whilst I'm deciding, one of the group steps forward, not one I'm particularly friendly with. She sighs.

'Lads, it's alright, I'll go back with her...'

NO!

Because I don't want to be 'her', someone that has to be babied and minded, someone that's always getting in the way of everyone's fun! And I'm not, and I wouldn't be, if only they would let me go! But what am I supposed to say? I don't know what to say. I'm stuck now. The others don't look happy about the prospect either, and we all say:

'No, you don't have to, it's fine!'

But she's coming with me now. The other girls look as downcast as I feel. 'Well, if you're sure... We'll see you later so.' And they turn and walk off. We walk silently back to Trinity.

I feel bad about giving her the slip when we get there, but I do it anyway.

********

April

'Anna, why don't we ever do anything Irish?'

We've just filled out our evaluation forms about the last Kilkenny Youth Theatre year. This was something that had occurred to me when I was remarking on how I enjoyed the fact that with Gormenghast, we weren't confused by British slang or place names that we knew nothing about. Instead, we referenced places like the Hall of the Bright Carvings, or the Tower of Flints. Most of the youth theatre plays we read are by British playwrights.

'You mean a play?'

She goes on to explain that:
  1. She really would like to do something Irish, but:
  2. There are very few Irish plays written for a teenage production.
  3. Those that do exist either don't have an ensemble cast or a cast large enough to accommodate sixteen-ish people, or are not very good. Or both.
Which is a shame, because I had been hoping for some to read, but I know Anna spent most of her career working with children and teenagers in theatre, and would know best out of all the people I could ask. I've been reading some of the British ones in the school library whenever there are no seats for me in the canteen, and there are some I love, and some I hate. But I'm Irish. I want to see something Irish.

It just makes me more determined. (Determined to do what? says the stupid voice.)

********

May

It's the last day of Transition Year. It's glorious outside, so we're sitting outside in the grass. We're making daisy chains, and writing on each other, and eating, and chatting lazily.

This is the day I have been waiting for all winter, all spring. It's brilliant. It's heaven.

********

November

I've come to a sudden stop outside the Butler Gallery. There are tourists, couples walking around the park. One passes me, and we smile. The weather's beautiful for a November morning, warm, with a soft breeze, the sort of day I like. And you wouldn't expect to find these many people in the park today, but they're here.

Today is the first day of my work experience with the Watergate Theatre and everyone's been so nice and I've got leaflets of a ballet, Scherezade, to drop into local businesses around Kilkenny and I've been doing that and last week I did work experience with Devious Theatre which was wonderful and I'm so lucky to have gotten what I wanted.

Today is my sixteenth birthday and the weather is beautiful and I'm not in school I'm on my work experience and I know that this year, this year is going to be brilliant.

********

Monday 30 April 2012

Apostrophe Mix - April 2012



  • Pegasus - Prelude of Titus
  • The Offspring - You're Gonna Go Far, Kid
  • Franz Ferdinand - The Lobster Quadrille
  • Valora - Extreme
  • Biffy Clyro - The Captain
  • Regina Spektor - Hero
  • Hans Zimmer - My Mind Rebels At Stagnation
  • Pegasus - Gormenghast

Kilkenny Youth Theatre would like to tell you a story, a story of family responsibility and tradition versus personal freedom and choice, a story about a very different place: Gormenghast. Where age-old rituals and traditions govern the lives of every person, where nothing has changed for thousands of years. In this forbidding landscape the old order is being confronted by two young men – Steerpike, the renegade kitchen boy who murders and seduces his way up the social ladder; and Titus, the seventy-seventh Earl, a child who comes to embody the change that threatens the very existence of his home – Gormenghast.


And that's what I've been doing for the past eleven weeks. That is what this mix is about.

Eleanor Roscuro

Sunday 18 March 2012

Apostrophe Mix - March 2012



  • The Coronas - San Diego Song 
  • Horslips - Dearg Doom
  • Imelda May - Mayhem
  • Royseven - Dance
  • Two Door Cinema Club - I Can Talk
  • Jape - I Was A Man
  • Fight Like Apes - Tie Me Up With Jackets
  • Ash - Burn Baby Burn
Irish music. What on earth is it really? I mean, we have the diddly-eye that everyone else associates with us, then we have The Undertones, Thin Lizzy and Boomtown Rats, then Luke Kelly and the Dubliners, then Gavin Friday and Sinead O'Connor, then the Cranberries, then Westlife and Boyzone, then The Coronas and Royseven, then Republic of Loose, then Lisa Hannigan and Cathy Davey, then Imelda May, then Fight Like Apes, then Two Door Cinema Club, then James Vincent McMorrow, and then back to the Saw Doctors? And that's what we love (well, what I love anyway) about our music - it can be anything. Whether it's about emigration (IT'S ALWAYS ABOUT BLOODY EMIGRATION), war (IT'S ALWAYS ABOUT THE BLOODY TROUBLES), alcohol (IT'S ALWAYS ABOUT BLOODY DRINKING), you know, those 'Irish' things, or about anything else, it always manages to surprise. 

And we can never forget the diddly-eye either. They have the best choruses (Whiskey In The Jar - "Musha ring droma do droma da/Whack fol the daddy-o/Whack fol the daddy-o/There's whiskey in the jar"), everyone knows them, and they're the perfect thing to depress or excite everyone at a gathering. 

I take this from Stuff Irish People Love by Colin Murphy & Donal O'Dea - 

17 - Shouting 'Yeeeeeooow' in the middle of a traditional Irish tune.
 Put a handful of Irish musicians together, particularly in a pub, and as sure as eggs is eggs, as the fiddles and whistles and bodhrans begin to whip up a frenzy of a rhythm, one of the musicians or someone in the audience will be compelled by a rising fire in his or her breast to proclaim loudly 'Yeeeeeoooow!'
Some believe this to be the musical equivalent of an orgasm, others that it is an expression of joy that only Irish music has the ability to evoke. It is even possible, some think, that is is an expression of a deeply buried primordial scream which is given release by the thundering pace and rhythm of the music, such as sa caveman might yell having just downed a wild pig with a stone axe.
Whatever the reason, there are endless variations on the word itself, the most popular being 'Yeehaaayeboyye', 'Yeeeeeeeeeeeeehoo' or 'Yeeupdereyefineting'

There ye are so.

I've put some more contemporary Irish music in this mix, (with the exception of Horslips, but it's just a song that everyone knows), and I hope you like it. I should talk about Irish music here more often!

Happy Saint Patrick's Day!

Eleanor Roscuro

Saturday 17 March 2012

Tiny Thoughts For A Big Week

So there’s this theatre company in Dublin called Fishamble that a lot of people like because they’re quite cool (this sounds familiar to my ears) they like to nurture new writing that's their thing and last autumn with The Irish Times they launched a competition called Tiny Plays For Ireland asking people from all over Ireland of any age to submit Tiny Plays (literally tiny, with a 600 word limit) with the best being performed in March so then I was all ‘Maybe I should try that’ and so I did back in November and I got some help from some very nice people and then I twiddled my thumbs until the Tiny Plays winners were announced and I said to myself ‘Well I’ve got two Tiny Plays now to do what I like with that’s cool’ and then I started doing other stuff

until Monday as I was in the school canteen during lunch feeling bored because I had eaten all my food and they were talking about Ben Lyng and I don't know who he is so I looked up my emails on my phone which you have to understand I never ever usually do in the canteen but then I got an email from Gavin Kostick the Literary Director (oooh) for Fishamble saying that they liked one of the Tiny Plays I had written called ‘The Moneylender’ and they also liked the Tiny Plays of other young things like me so they decided to stage a rehearsed reading of the work of younger writers and that included me.

So I stared at it for a few seconds and most of my brain had gone silent like it does when I get a big surprise but some part of my brain must have been working as I sprang up from my chair and shrieked unintelligibly for a few seconds in a very high pitched voice then ran as fast as I could considering the chairs I had to squeeze past out of the canteen and near the door I nearly crashed into one of the smallest First Years but I apologised profusely so there's no need to look at me like that

And I ran out onto the grass and the fresh air woke up the rest of my brain and I wandered around for a bit and when I resurfaced to my companions I apologised for my lollygagging but I kept it a delicious secret in my tummy for the rest of the day you know that feeling don't you

Because I hadn't told my parents yet and I hadn't told my friends who had helped me with the Tiny Play yet and I hadn't told my English teacher yet and I couldn't go around the school with my phone so I waited

My mother printed out about five copies of the email I got from Mister Gavin Kostick and people have been congratulating me and when they do that it's easy to think they're talking to the wrong person because surely this is not me what did I do?

And that was Monday and now it's Thursday night

It's only beginning to sink in now

Even if it's only six hundred words and will only last a few minutes if that and it's being read out as I have been trying to tell people

because I am extremely very nervous which I think I'm allowed to be but maybe I shouldn't be

but what if someone asks me questions about my Tiny Play that I should know the answers to because I wrote it and everything but I don't know what to say maybe I should read it a few more times and think of some answers

But a Very Important Theatre Company In Dublin like me now and I am young and things are starting have started for me so soon and I have so much time and I'm in just the right place at the right time and I am extraordinarly lucky

And you'll never guess what but Fishamble like my writing and want to stage it and show it to other people who don't know me at all strangers even

That's basically it and it may seem small but it makes all the difference in the world

Actually I haven't booked my ticket for the reading yet

Should probably do that

Yeah

Also thank you to the nice people at Fishamble for including me and thank you to the nice people at Devious       because they helped me with the Tiny Plays and they say I'm on their young writing drive now and it's nice to feel a part of something (well I already did, but it's been said now) and thank you to the nice person who is John Kennedy just because and thank you to my mammy and daddy because they're nice too (not that they're going to read that or anything)

Anyway it's 23:12 and I'm tired. And I wanted you to hear it from me first

And I'll probably have more info soon

Project Arts Centre. Dublin. 24th March. 17:30. It's free.

So I typed this out in some sort of haze, then went to bed and forgot about it until now. The reading is on this Saturday if you're interested. This is what the nice people at Devious Theatre had to say about it, and this is more about the Tiny Plays production by Fishamble, which you should definitely go to see if you can.


And I did get around to booking my ticket.


Eleanor Roscuro

Tuesday 14 February 2012

Apostrophe Mix - February 2012


  • Charlie McDonnell - Chemical Love 
  • Regina Spektor - Us 
  • Ralfe Band - Eloisa
  • Tom Dunphy & The Royal Showband - If I Didn't Have A Dime
  • The Beatles - Can't Buy Me Love
  • The Zutons - Remember Me
  • Florence + The Machine - Cosmic Love (Live)
  • Charlie McDonnell - A Song About Love
This is the playlist of someone who isn't in love, and who's never properly been in love. Who is a little cautious of it, but not as wary as she was in the past, and, truthfully, a little excited at the prospect. Who hasn't received a Valentine's card since she was nine, getting four that year, all of them wasted on her. Who now knows that there's absolutely no rush, and even though she knew of this earlier, she understands it better now. Who loves herself the most, for how can you love others if you don't love yourself? Who is trying to remember if she should be writing 'who' or 'whom' at the start of these sentences.

Also, Charlie McDonnell. Awesome.

Eleanor Roscuro